Friday, August 13, 2010

The Girl With The Dragon Tattoo by Stieg Larsson. A Review by Debra



I've resisted opening this book for months even though it called to me from my bookshelf. I could hear it saying, day in and day out, "Everyone is reading me! Come on then, open the cover. I'm really quite good."  I thought I'd pick it up when I had a break from reading my usual fare. After all, suspense is not my favorite genre, and industrial intrigue falls quite a distance behind even that. So with much hesitation, I read the first paragraph, and as usually happens to me when I open a book, I was hooked.

The Girl With The Dragon Tattoo is, on the surface, the story of a journalist, Mikael Blomkqvist, the publisher of the magazine known as Millennium ( hence the term The Millennium Trilogy for Larsson's three book series of which this is the first). Mikael is set up by a corrupt industrialist to take a huge fall, and is tried and convicted of libel. This is the background to the entire story. It explains Blomkqvist's motivation for the rest of the novel  and once you get past this first 125 pages of back story explaining how Blomkqvist wound up with a conviction and a prison term,  you get to a family saga, years in the making. This is the part of the book I enjoyed the most.  The Vangers, an old Norrland industrial family, have enough egocentrics, twisted personalities and downright nasty individuals  to make this book interesting if it were just written about them.  But wait, there's more. When old Henrik Vanger convinces Mikael to take on the family chronicles and search for his niece who has been missing for over 30 years,  he promises in return, that he will hand Mikael enough information to bring his court nemesis to his knees. Mikael takes the bait. During a year long exile to the north of Sweden, and along with Lisbeth Salander (I could write paragraph upon paragraph about this character, but you'll have to read the book), a young and very talented private investigator, for want of a better description,  Mikael uncovers the family skeletons, with almost fatal results.

There are so many secondary characters worth mentioning,  and the book is so full of intrigue, relationship twist and turns, history and an abject lesson in sexual abuse, that if I wrote about it all, there would be no reason to pick it up. And you should pick it up. Mr. Larsson did not live to see the success of his trilogy, which is unfortunate, because I'm sure this book, along with the next two in the trilogy, were only his warm-up to a brilliant career.

Thursday, August 12, 2010

Too Wicked to Kiss, by Erica Ridley. A Review by Angie

The allure of a Regency Gothic romance was too delicious to ignore, and so I gave in to Erica Ridley’s debut novel readily.  Full of danger, intrigue and sensuous private liaisons, Too Wicked to Kiss is quite wicked indeed.

After losing her mother, Evangeline flees from her abusive stepfather to the protection of Lady Stanton, a friend of her mother.  The Lady and her daughter Susan are planning a scheme to trap Gavin Lioncroft, known as ‘Lionkiller’, into marriage with Susan.  To assure her continued protection from her stepfather, Evangeline reluctantly agrees to assist in their plans.  The moment they arrive at Blackberry Manor Evangeline knows they are unwelcome by the fierce and intimidating manor of their host.  Despite his obvious desire to see them gone; Evangeline is drawn to him while being slightly frightened at the same time.

Gavin has never refuted the rumors that he killed his parents- it made for a much wanted solitary life.  Having been shunned by his family, his sister showing up on his doorstep with his nieces spikes his curiosity as well as his ire.  A house party is the last thing he wants, and he resents the intrusion on his privacy just for matching his eldest niece with an elderly rich gentleman who can’t stay awake during dinner.  To the others, Gavin is a dangerous killer who would just as soon murder them all as to dine with them, but a noticeable change happens when it becomes evident his sister is being abused by her husband.  The evidence is on her face, and while all believe Gavin struck his own sister in a rage, Rose, Lady Hetherington, sets them straight on the true culprit.  When that person is found dead the next morning, all eyes look to Gavin as the murderer.  Only Evangeline’s gift can prove his innocence, or so they believe.  However, her stepfather has other plans for her.

Gavin and Evangeline are a very passionate pair.  Gavin is the typical brooding, dark, Gothic hero- edgy and dangerous, but with a softer interior.  Evangeline is the quintessential heroine, getting herself into trouble while trying to prove Gavin’s innocence.  Betrayal abounds in this story of death, regret, murder and sizzling kisses between Gavin and Evangeline.  This review really doesn’t do the book justice, so you’ll have to read it for yourself to see just how wicked this gothic romance truly is.

A Kiss at Midnight, by Eloisa James. A Review by Donna

When my daughter was very small, I amassed quite a huge collection of VHS tapes that kept her glued to the television and thus entertained and out of my hair for hours. Some of her favorites included the Disney adaptations of classic fairy tales like Snow White, Peter Pan and of course, Cinderella. As a matter of fact, if I close my eyes now, I can still hear those mice singing as they industriously sewed a ball gown from scratch.

A Kiss at Midnight, Eloisa James' new regency romance, does not have singing mice. Or mice of any sort. But there is a castle and a godmother. And of course, a handsome prince.

Prince Gabriel Albrecht-Frederick William Von Aschenberg of Warl-Marburg-Baalsfeld, to be exact, who is devilishly adorable, as all princes should be. He is also an exile who, along with assorted relatives and an impressive menagerie of exotic animals, has been banished to a remote castle in England. Gabriel, as is expected of a prince, also has a strong sense of duty. In order to maintain his castle and competently support his people, he must marry for money. And soon. How fortunate that his older brother, the Duke, has arranged such a marriage, finding him a wealthy Russian princess to be his bride.

And of course, what would a Cinderella story be without a Cinderella? When Kate Daltry's father died, his new wife, the wicked stepmother, relegated Kate to attic rooms. Treated no better than a servant, Kate struggled for years to make sure her father's estate survived by working closely with his tenants and shielding them from her stepmother's harsh treatment. Now, she must save the vicar's widow from eviction. With little choice, Kate agrees to masquerade as her injured half sister Victoria and accompany eighteen year-old Algie, her future brother-in-law, to Pomeroy Castle. Algie must secure approval of his hasty marriage from Uncle Gabriel, the prince, before Victoria's indiscretion becomes obvious.

Gabriel, in the meantime, has resigned himself to marry the Russian princess sight unseen. That is until he meets "Victoria," his nephew's intended. Mesmerized by her looks, challenged by her bold mouth and intrigued by her reluctance to fall for his charm, Gabriel finds himself enamored with the wig-wearing beauty and it isn't long before he discovers her real identity. Kate, likewise, is irrevocably drawn to the enigmatic prince, but always remembers he is betrothed to another - a real princess with enough money to help Gabriel fulfill his duty to his family, tenants and castle.

The witty, honest dialogue between Kate and Gabriel drives this story and Ms. James' treatment of a progressively dismal situation is both sensitive and sensuous. I felt deeply for both of these characters, but more so for Kate who, with little control of the situation, refuses to fade away because of a badly broken heart. There is also a worthy cast of entertaining minor characters who lend support to both sides. Particularly worth a mention is Gabriel's half brother Wick, whose loyalty to Gabriel and honest assessment of the situation earned him a secure place in my heart (and hopefully in a sequel).

Of course, a romance by definition provides a happy ending. As do most fairy tales. A Kiss at Midnight is no exception, but we must wait for it. I assure you, though, when this story's happily ever after makes an appearance, it will leave you positively cheering. Forget about the singing mice and add this one to your must-read Regency romance list.

Thursday, August 5, 2010

A Vintage Affair, by Isabel Wolff. A Review by Angie



Every once in a while you find a book that really moves you, and in this case, this book moved me to tears.  A Vintage Affair is the story of Phoebe Swift, an ex-Sotheby’s employee who decides to open a vintage clothing shop called Village Vintage.  Fashion lovers will delight in this name dropping feast of designers and designs from the 1920’s and forward.  The clothes are a large part of the story, but not in the ways you would imagine.

After the death of her best friend, Emma, Phoebe keeps herself busy with her new shop while trying to ignore the guilt that’s eating away at her.  Phoebe is a complex character; one who is very mature and composed, but riddled with conflicting emotions inside.  The story starts off with the evening she met Guy, her ex-fiancé, who at the time was seeing Emma, her now deceased best friend.  Phoebe and Guy hit it off, and while she feels the guilt of falling for a guy Emma likes, Guy assures her he never pursued a romantic relationship with Emma.  Phoebe and Emma grow apart, mostly because of Emma’s inability to handle the relationship her friend has with Guy.  Phoebe, not wanting to ruin the romantic evening Guy had planned for them on Valentine’s Day, promises a very ill Emma she will come and check on her the next morning.  Emma is dead before Phoebe arrives, and she spends the next year blaming Guy for persuading her to put Emma off so they can enjoy their evening, or so she remembers.

As a vintage shop owner, Phoebe finds herself in the company of many interesting people wanting to sell their expensive designer clothing.  She also wonders about the clothes she buys, and what stories they could tell.  Phoebe makes the acquaintance of Mrs. Bell, an eighty year old French woman who is very ill and wanting to sell some of her elegant designer clothes.  Over time and a few visits, Phoebe and Mrs. Bell become confidants; Phoebe relating her guilt at Emma’s death, and Mrs. Bell telling her the story of her childhood in Avignon, France, and her friend Monique, who was taken by the German police to Auschwitz.  Mrs. Bell tells the heartbreaking story of Monique hiding from the Germans in an abandoned barn while she brought food to her as often as she could.  The two share guilt as Mrs. Bell relates her sorrow at not making it out to the barn with her blue coat for Monique before the police find her.  Phoebe has the overwhelming desire to find out what happened to Monique, despite Mrs. Bell's indication she has searched in the past.  A surprising clue finds Phoebe through her shop, and points her in the right direction to find the long lost friend of Mrs. Bell.

During all this Phoebe politely turns down the attentions of Dan, a friendly reporter for the local paper, while in a relationship with Miles, a much older retired solicitor.  The two meet at Christie’s while bidding on a vintage gown, Phoebe for her shop, and Miles for his spoiled daughter. The relationship with Miles is as frustrating as it is sweet, as Phoebe withstands the full force of a sixteen year old daughters’ hostility for her Dad’s much younger girlfriend.  Miles learns too late his darling daughter has serious entitlement issues, and Phoebe finally stands up to him about his blindness when her grandmother’s ring disappears. Dan then becomes a more interesting prospect, one that’s been there all along, she realizes.

I cannot even begin to explain how moved I was by this book.  The emotional rollercoaster Phoebe is subjected to is intense at times, but she handles it with much grace.  There is much, much more to the story than what I’ve written, as well as a large cast of secondary characters and other plot lines that add so much to the book.  In addition to relationship issues, Phoebe must deal with her parent’s separation and her father becoming a daddy again at age sixty-two.  The village is full of interesting characters that are only slightly delved into, but make excellent additions to the story.  Wolff’s writing is perfection; the blending of Phoebe and the other characters creates a truly well-written novel.  A story of love, betrayal, guilt and finally peace, A Vintage Affair is definitely one to pick up.

Monday, August 2, 2010

Wicked Intentions, by Elizabeth Hoyt. A Review by Angie

As a self-proclaimed gothic novel enthusiast, I immediately planned a trip to the bookstore when I learned of Wicked Intentions.  Set in 1737, a wee bit before my comfortable Regency England, Wicked Intentions is the story of Temperance Dews, a widow helping her brother run the Home for Unfortunate Infants and Foundling Children.  Located in St. Giles, where the poorest of the poor of London live, the book opens with Temperance and the maid Nell ushering home a few days old infant through the dark and dangerous streets.  St. Giles is bad enough during the day, at night however, only the desperate, murderous, or stupid venture out after the sun sets.  Throwing caution to the wind, Temperance sets out for the small infant, knowing by morning she will be gone.

In their rush through the dirty streets, they come across a man with long silver hair, standing over what looks to be a dead man.  Remembering Nell's story of the ghost of St. Giles, and his method of murder, they both hurry on to the relative safety of the home.  Seeing the infant to bed, and thinking she is alone for the night, she discovers a man sitting in her small parlour.  A man with long silver hair.

Lord Caire is a man with a purpose, and Temperance Dews is the person he requires to assist him.  Caire propositions Temperance to help him find the murderer of his mistress, while helping her find a patron for the broke home.  Feeling as if she is making a deal with the devil himself, she agrees against her better judgement.  Their search takes them into the darkest corners of St. Giles, where some things are best left unknown and unseen.

What follows is nothing short of gothic novel and romance greatness.  Caire and Temperance are drawn to each other, and while she tries to fight it, he embraces the attraction.  Temperance is hiding a dark secret that causes her extreme guilt, but the temptation of Lord Caire and his questionable bedroom antics lures her like no other.  The unassuming manner of Temperance, and her ability to see him as a man, and not a fortune, appeal to Caire, and he begins to care for her, an emotion long-lost to him.  As their investigation continues to dig deeper, the threat gets closer to them, and they only realize it just before it's too late.

Be warned in advance, this IS a gothic novel, and some parts are very dark, and delve into some questionable subject matter.  This is no light-hearted romp through the ton, but a picture of the poorer side of London.  Hoyt writes each scene with such vivid descriptions that you easily find yourself in St. Giles street, running from the ghost.  Definitely one to pick up if you enjoy the darker side of romance.

Thursday, July 29, 2010

The Tapestry of Love, by Rosy Thornton. A Review by Debra

There are very few times I can remember where I've actively prolonged reading a book by putting it down at intervals and resorting to other things, just to make it last. I couldn't help myself with The Tapestry of Love, a new book by author Rosy Thornton.  I sincerely tried to draw the experience out for as long as I could, but alas, all wonderful reads must come to an end.

The Tapestry of Love is Catherine Parkstone's story. An Englishwoman set to begin her life anew in the Cevannes region of France,  Catherine finds herself in the middle of her new town's autumn transhumance, the moving of sheep from their summer grazing ground back to their home farms and enclosures; the exact opposite direction in which she is figuratively traveling. Leaving England behind, along with her son, daughter, ex-husband and her mother who is afflicted with dementia, Catherine moves to Le Grelaudière, and her new home, Les Fenils, set back in a rocky outcrop with few of the conveniences she's left behind.

Usually, the lead protagonists in a novel are the main focus, but here, they share top billing with the house, the gardens, the weather, the woods, farms and animals and even the mountains themselves.  I could perfectly envision Catherine's new surroundings as if I had moved into Les Fenils as well,  working beside Catherine in her new garden or handing her the thread and needles as she tries to establish her new business.

The secondary characters in the guise of neighbors add a whole different dimension to the story. We get to know each family's back story as any new neighbor would; over time and over tea (and this being France, a little wine as well). Among these neighbors is Patrick Castagnol, with whom Catherine thinks she may have found a good friend and perhaps something more, until her sister Bryony comes to stay.  This is the only point in the novel where I had some trouble understanding Catherine. She closes her eyes to  the relationship between Bryony and Patrick, and she does not ask because she fears the answers. Why did she not fight for Patrick?  What is it about her relationship with her sister that causes her to back off? When Patrick makes clear to Bryony that there are things in his life that he will not share, she goes back to England, leaving the way clear for Catherine and Patrick to find each other again, or not.

The story is ultimately about one woman's growth in mid-life, a time when some women are settled, and all they are is all they will ever be. We read about Catherine's struggles with a new country, a different language, customs and regulations, including a light-hearted tutorial on French bureaucracy and the problem of dealing with the establishment of a non-agricultural business in a National Park and the effects on that park's population (which I found personally fascinating). The twice yearly transhumance is a metaphor for Catherine's new life, as is her decision to take on the restoration of a medieval tapestry. She takes on this challenge as she has almost every challenge since her move to France, and masters it as she does her new environment, creating something worthwhile where before there was nothing.  It's positively inspiring as Catherine overcomes political and practical obstacles to complete her own transhumance.

Beautifully written, Rosy Thornton again delivers a story rich in detail, not only in its character development, but in setting as well. I was caught up in Catherine's world, enough so that I too caught a whiff of jasmine on that hillside.

The Tapestry of Love is highly recommended.  It is exactly what my father meant when he told me years ago, that reading a good book transports you  to anywhere in the world. I did not want to come home.

Saturday, July 3, 2010

Seven Secrets of Seduction, by Anne Mallory. A Review by Debra



I can honestly say that in all my reading of romance novels over the years, I have never been totally and truly seduced by a fictitious character until I picked up this novel. It's always fun to watch a rake reform, but in this case, the author puts forth a seduction so all-encompassing and emotional, that you spend the entire book envying Miranda Chase, "lowly" shopgirl and correspondent to not one, but two literary figures, who becomes the recipient of Maximillian, Lord Downing's attentions.

Miranda, like all of London, is enamored of a new book entitled "The Seven Secrets of Seduction," written by the author who calls himself Eleutherios. She strikes up a correspondence with the author himself, while at the same time, defends him to a Mr. Pitts, a critic who seems to have a reason to hate Eleutherios and his work. Miranda becomes the central focus of this triangle, writing to both men for a period of time, and receiving life advice from Mr. Pitts and reading material and romantic prose from Eleutherios. She then finds herself the recipient of Maximillian's singular interest.

Maxim seeks Miranda out in her uncle's bookshop and at first we are convinced that this is a random meeting. We are as stunned as Miranda when Maxim seeks her out for special attention, even engineering an excuse to have her work in his library. We watch Miranda fall prey to what we think is a practiced and random seduction. And we are terrified that she will succumb to this seemingly cynical and jaded rake. Miranda even recites a mantra when she is with him: Flame, Moth, Danger. She knows how much trouble she is in around Maxim, but she can't help it. His seduction is so perfect and so complete, that she has no choice in the matter.

When the author switches the story's point of view to Maxim's, things become almost painful for the reader, but not in the way you would expect. We see the spider caught in his own web, as helpless to escape his feelings as his prey. Maxim is more than what he seems. Much more to Miranda in fact, and once she pieces the parts of the puzzle together, she can't help but make a decision that will change the course of her life forever.

And damaged by his parents' relationship, Maxim swears he will never marry for love, but with Miranda, he finds that a loveless marriage combined with a mistress he loves results in an untenable situation.

Anne Mallory writes with a distinct descriptive flair. There are numerous instances where we are given a description of the tactile things these two do... a swipe of a hand down a silk dress, the motion of restless fingers over a desk or a quill.  All these things, plus a powerful and emotional story line, put this reader right in the story. I wanted to be Miranda. What woman (or man) wouldn't want to be the subject of such abject love and devotion?  And it works both ways.  Miranda says that Maxim is "just like a walking addiction." Maxim realizes that he cannot let Miranda be hurt, but he cannot let her go, and that he needs her more than she needs him. It's a painful revelation to a man obligated by duty and family history to reject the obvious course of action.

Seven Secrets of Seduction is just out in paperback. It brings back memories of how it feels to begin a new relationship, and to  fall in love.... that agonizing and exhilarating phase of life where feelings can't be taken for granted and nothing is ever easy, but the rewards are beyond wonderful. You'll experience it again as you read this book.